
Go Plastic
By Squarepusher
The Story
Released on June 25, 2001, Go Plastic marked a shift in Squarepusher’s approach, emphasizing fully electronic production and tightly controlled sequencing. After earlier releases that prominently featured live bass guitar and jazz-influenced improvisation, Tom Jenkinson moved toward a more synthetic sound, focusing on digital programming, complex rhythms, and precise editing. The album reflects an interest in pushing electronic composition toward greater abstraction while maintaining high levels of technical detail.
The production centers on rapid breakbeats, intricate drum programming, and sharp, digital textures. Compared to earlier work, Go Plastic minimizes the presence of live instrumentation, instead constructing tracks from heavily processed sounds and tightly arranged sequences. This results in a sound that feels more mechanical and structured, with an emphasis on rhythm and texture over melodic development.
My Red Hot Car opens the album with a recognizable vocal sample and structured beat, providing one of the more accessible moments on the record. Plaistow Flex Out and Boneville Occident continue with dense rhythmic patterns and layered textures. Go! Spastic introduces rapid tempo and complex sequencing, highlighting the album’s technical intensity.
The Exploding Psychology and I Wish You Could Talk expand the sonic palette with shifting arrangements and digital manipulation. Greenways Trajectory and Tommib Help Buss maintain the high level of rhythmic complexity, blending fast-paced programming with evolving patterns. All Bad Ends All provides a more atmospheric section before the closing track Go Plastic, which continues the album’s focus on precise sequencing and layered sound.
Go Plastic emphasizes control, precision, and digital experimentation. The album moves away from organic performance elements toward a fully electronic framework, focusing on rhythm, structure, and sound design. By refining his approach to programmed music, Squarepusher created a record that highlights the possibilities of complex electronic composition in the early 2000s.
